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Bestgfx » Tag cloud » Steve
Steve Jobs black and white vector

Steve Jobs black and white vector
2 EPS | 2 AI | JPEG | 5.87 MB

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Artist Steve Firchow

120 JPG | ~830x1350 | 61.4 Mb

raimova  
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Artist digital and traditional painting Steve De La Mare (alias - mrDExArts)

Artist digital and traditional painting Steve De La Mare (alias - mrDExArts)
58 jpg | 600x900 ~ 1200x1000 | 23 mb

RetouchPRO LIVE All About Layers  With Steve Caplin

RetouchPRO LIVE All About Layers With Steve Caplin
English | h264, yuv420p, 1728x1080, 29.97 fps(r) 1174 kb/s | aac, 44100 Hz, mono | 639.97 MB
Genre: Elearning

Watch the desktop of professional photo illustrator and author of "How to Cheat in Photoshop" Steve Caplin as he explains all about every type of Photoshop layers and answers questions from the live audience.

ryuzin  
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Steve Martin : Apple Pro Video Series: Final Cut Pro X (2011)

Steve Martin - Apple Pro Video Series: Final Cut Pro X (2011)
English | h264 1158x720 30.00 fps | aac 44100 Hz mono | 1.31 GB
Genre: Video Training

None Description of the video course : ntroducing the Apple Pro Video Series: Final Cut Pro X. In this tutorial, Apple-certified master trainer and Ripple Training founder Steve Martin, will guide you through the new workflows, toolsets and features of Apple's latest professional video editing application, Final Cut Pro X.

ryuzin  
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Al Pacino.Fotosessiya is in London (photographer Steve Wood, 25 March,  1974)

Al Pacino.Fotosessiya is in London (photographer Steve Wood, 25 March, 1974)
4 JPEG | 2604 - 4072 | 23.3 MB

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Gnomon Workshop - Comic Book Coloring With Steve Firchow (ENG)

Gnomon Workshop - Comic Book Coloring With Steve Firchow (ENG)
English | AVC1 1024 x 768 | MP3 128 Kbps | 2.96 GB
Genre: eLearning

In this third DVD of a seriessf on comic book illustration techniques, Steve Firchow gives an overview of how to color a comic cover from beginning to end in Adobe Photoshop . He begins with setting up a piece of black and white line art and describes his process for choosing colors, making rendering decisions and balancing color, light and detail. In addition, he discusses techniques for improving speed and the differences between coloring covers vs. interior comic pages.

poster  
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