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In this series of After Effects tutorials, we are going to learn all of the steps you need to integrate graphic particles into our snowboarding shot. When you are doing a project like this, there are a couple of different workflows that are possible. If you shoot the footage yourself, then you have a lot more control over mapping what you want the particles to do.

In this tutorial I will be showing you how to create an awesome energy portal using After Effects. The portal is fully 3D, so we can add it to scenes that have moving cameras using CS6?s new 3D camera tracking feature. The portal is created using After Effect’s built in tools, but extra 3D volume is added using Trapcode Particular, though this is an optional addition.

Classical painters who spent their lives investigating light, color, and form can teach us a great deal about composition, color, and light in video. This course enables editors to replicate the techniques of the masters in their own films, simulating visual techniques like chiaroscuro, sfumato, and the Impressionist style of capturing light, color, and specular highlights. Author Simon Walker covers painterly treatments that are easily applied to a wide range of footage, including landscapes, portraits, interiors, and close-ups. He uses Colorista II and Magic Bullet Looks to achieve these effects, but the principles can be applied to almost any color correction toolset.

Probably the best money you will spend all year. This video brings the dark magic of impossibility to a screeching halt by allowing for seamless beautification of an otherwise horrifying set of shots. (Make bad shots, good… then apply your creations)

One of the most popular and yet complex plugins for Adobe After Effects, Trapcode Form is a unique particle system that creates stunning and professional results. Instead of generating particles, Form's particles just exist. This course helps you bridge the gap to mastery of Trapcode Form. Author Chad Perkins introduces

We'll begin by learning some of the easiest ways to fix any problem that you may be encountering in After Effects by refreshing the program with a few different techniques. We then learn some of the most common issues that you may run into, and ways to fix those.

Final Cut Pro is one of the most used film-editing software and a must have for any creative video editor. Professor Mark Teague’s expert instruction will have you navigating the interface, timeline, browser, canvas, and viewer in no time. Having worked with Disney, Marvel, Universal, and on a variety of feature films, Professor Teague knows what it takes to advance in the field of video design. With 10+ years in the industry, he infuses his love of film editing with detailed, step-by-step examples ,and keyboard shortcuts in order to show you how to get the most out of Final Cut Pro 7. Professor Teague is also an instructor at the famed Video Symphony School of Media Production in Burbank, CA.

Join author and Adobe pro Jeff Foster for an in-depth tour of the industry leading program for creating motion graphics and animation - Adobe After Effects. During this course, Jeff will teach you how to import your images from Photoshop, create engaging motion graphics and export them so that you can share your work with the world.
Adobe After Effects software lets you deliver cinematic visual effects and motion graphics within minutes. Plus it allows you to extend your creativity with built-in text and shape extrusion, mask feathering options, and a fast, easy-to-use 3D Camera Tracker

This lecture covers the principles of good composition with an emphasis on effective cinematic lighting. Jeremy begins by discussing the fundamental concepts behind how light operates in the physical world, providing an overview of topics like reflection, absorption, refraction, color temperature and atmospheric dispersion. He then moves into camera based composition, discussing topics like camera angles, distance, lenses and depth of field which all help to define the mood of a shot. The lecture then transitions into more of the artistic elements of lighting and composition as it relates to computer graphics. Techniques such as three-point lighting, framing, tonal gradients, implied lighting, atmosphere and various lighting setups are used to set mood and assist in the story telling process. These principles are then applied using Maya as the primary 3D tool. Jeremy discusses basic Maya lighting but quickly moves on to setting up various lighting conditions using V-Ray for Maya, to achieve beautiful global illumination effects while still paying close attention to the principles outlined in the early part of the lecture.

Prometheus holographic navigation is a very exciting tutorial,in which you will learn a more advanced MoGraph ,with new techniques that are exclusive only in cinema 4d tutorials, our entire team we liked the movie ,Really one of the BEST science fiction movies that you have to see. And all these effects were realized with the program cinema 4d ,Thanks to maxon, we have the best 3d software in the market. and thanks to MoGraph, we can create great effects in minutes .

So you want to make movies, TV shows or just a cool video for your startup, but you don’t know the first thing about camera movement. That’s right, knowing how the camera works is just one aspect of video production. Knowing how to move it is just as critical to the end result. That’s why Dave Bode is here with Introduction to Camera Movement. He’ll walk you through how to move with your camera the right way, and your results will be all the better for it.

Adobe After Effects is a great tool, but how do you do all of those fancy tricks that the professionals use? What if you want to mask a moving object or just do something custom? Turns out that you can do those expert masking tricks, and Christopher Kenworthy is going to walk you through everything you need to know. By the end of this course, you’ll be knocking out fancy masking moves in After Effects like it’s nothing at all.

The complete package - Every 1080P Rgrain plates and more! Sixteen 1080p ProRes 422 film grain plates at 23.976 fps (Each clip loops for 30sec—6.5Gb Total DL). Three micro dirt loops. (Each clip loops for 10 sec). 35mm, 16mm, and 8mm ultra-realistic digitally created film stock emulations. Works with all professional MAC or PC NLE and compositing suites. Includes a set of 8 aspect ratio hard mattes. (PNG 24).